I haven't posted in this thread yet for one reason: I hadn't read The Da Vinci Code until yesterday. Well, I actually started it the night before.
That I read it quickly as I did means two things to me: 1) it was an easy read; 2) it was a fun read.
I haven't had much time for fiction lately, but I thoroughly enjoyed Brown's book. Incidently, I'm in the middle of reading Collapse by Jared Diamond, a non-fiction sequal to Guns, Germs and Steel. I highly recommend both to anyone interested in the rise of complexity in human society and the collapses that societies eventually endure and why.
But Brown's book was very interesting and I enjoyed his ability to both tell a story and incorporate actual symbology and iconography in his plot.
I'm not convinced that the Holy Grail was Mary Magdelane, but he made a very convincing case in the way he presented his arguments. In other words, I was able to suspend disbelief temporarily and engage myself in the novel. Just as I can do the same in a Star Wars novel/movie and still leave the experience understanding that the "Force" is just a plot device.
I think it was obvious that many of his plot devices, while having some basis in reality, weren't exactly as he described them in the book. The Opus Dias, for instance. They are a very real sub-cult in Catholicism, and certainly have their critics, but I seriously doubt that they have taken to assassination.
The Leonardo version of The Last Supper does indeed have the elements that Brown's character, Langdon, describes in the novel. The color coordination of Jesus and his nearest right disciple is unmistakable, as is this disciple's apparent feminine features.
I've been an admirer of Leonardo Da Vinci for years (I also recommend How to Think Like Leonardo Da Vinci, by Michael Gelb) and this is a style of his that is prominent in much of his work. It's called Sfumato and translates to "turned to mist" or "up in smoke" or simply "smoked." Leonardo embraced uncertainty, ambiguity and paradox and reflected this in his paintings. The Mona Lisa is a good example as is his St. John the Baptist (
http://www.join2day.net/abc/L/leonardo/leonardo11.JPG). Click on the link, and note the distinctive female characteristics Da Vinci gave our man John!
But I can't imagine that Da Vinci had any more information than most of his peers of his period with regard to the actual last meal of the alleged Christ. (I say alleged because there were several messiahs that lived contemporary to Jesus... there was even more than one "Jesus." But if there was an actual person named Jesus, the one we're familiar with seems the most virtuous if we are to believe the early christian writings). Da Vinci certainly didn't witness the "Last Supper," so everything he put into the painting was from his imagination. But it would have been right in Da Vinci's character to insert symbology and ambiguity within it.. the type of things that might go unnoticed for years.
Incidently, there's a special on Dateline NBC (
http://tv.yahoo.com/tvpdb?d=tvp&id=169335607&cf=0&lineup=us_DMA623&channels=us_KXAS&chspid=166030865&chname=NBC+5&progutn=1113436800&.intl=us) claims will explore the Da Vinci Code to "separate fact from fiction."
With regard to the Gnostic Gospels, I've read a few and find them fascinating. I also find that they have more credibility than the Gospels that were ultimately chosen (many early Christian writings were reviewed by the Canon committee, but they settled on the ones they did for various reasons, most of which we will never know).
The Gospel of Mary Magdalene (
http://reluctant-messenger.com/gospel-magdalene.htm), for instance, directly challenges the limitations that early Christians were placing upon women in the budding religion. The Gospel of Mary confronts the orthodox opinion of Peter and Andrew that women should not teach. It also paints a very Eastern philosphical slant on the teachings of Jesus. Particularly with regard to the passage in the GoM that speaks of the "seven powers of wrath," which can be compared to the Tibetan Book of the Dead's writings that upon death, peaceful and wrathful visions can appear as the soul is freed and attains a new reality and awareness.
There are other early Christian writings that are considered Biblical but not in the Bible. These are usually referred to as Apocrypha and can be found here:
http://www.ntcanon.org/writings.shtml)
The Gnostic Writings are different. Most were found in 1945 in the Nag Hammadi library (
http://www.gnosis.org/naghamm/nhl.html)in) Egypt. They can be found on the internet at the previous link or this one:
http://www.gnosis.org/library/gs.htm)
For those that are confused about my worldview at this point, let me point out that I'm an agnostic atheist (the former is an adjective, the latter a noun), but I'm also an anthropology/archaeology major, so the the mythology and beliefs of past cultures as they relate to contemporary cultures fascinates me to no end.